Showing posts with label Real Life. Show all posts
Showing posts with label Real Life. Show all posts

Tuesday, 8 June 2010

Disappointment And Ketchup

This week's sentence was taken from John le Carré's short story, 'Call For The Dead.'

It was: 'Miss Adam herself dispensed the nastiest coffee south of Manchester and spoke of her customers as "My Friends".'

Disappointment And Ketchup

Turn off the Wash Road at Guyhirn and drive for miles out across the endless godforsaken peat-black plain. If you have committed sufficient sin in your life you might well find at last looming through the fog a dismal, yellow-grey building of squat, unappealing proportions surrounded by clinging, coal-black mud and fronted with a peeling-painted wooden sign: 'Pub Food. Car Park. The Greyhound. Polly Adam.'
Inside: Stygian gloom. Formica and brown linoleum. Faded. Worn through in places. Twelve tables. Forty-eight wooden chairs.
No two legs the same length.

Signs prohibiting:
coach parties,
spitting,
food not bought on the premises,
credit,
back-packers,
Mrs. Arbuthnot,
Kevin.

Promised exotic delights:
steak'n'kidney pie,
chips,
gravy,
peas,
scampi in a basket,
lemon meringue pie,
and ominously: "more".

The reality:
congealed fat,
gristle,
uncertain wobbly brown things,
watery gravy,
burnt bits,
disappointment
and ketchup.

And behind the bar:
Miss Adam herself dispensed the nastiest coffee south of Manchester and spoke of her customers as "My Friends."
Smeared glasses and stale ale served warm and flat joined the dreg-rich stew of her bitter, brackish, days-old coffee. Regulars wiped the oily film from their top lips between sips and spoke, when they spoke at all, in hushed monosyllables.
Polly Adam ran, with iron discipline and a grease-grey pinnie, the only pub (in fact the only social establishment of any kind whatsoever) for forty miles around. Locals grew up on her foul fare, and knowing no better, accepted it with the same grim stoicism that allowed them to live out here in this soulless, mirror-flat, drenched wasteland.
Miss Adam had inherited the place, and her dubious culinary skills, from her parents, who had in their turn received the same blessings from Miss Adam's grandparents, and so on down into the dim, damp and decidedly Dickensian distance.

Not conventionally attractive, even to the untrained eyes of the local lads, schooled as they were in more porcine pleasures of backfat and bristle, in her youth she had for one brief and wonderful week thrilled to the throes of wild romance, surrendering her innocence to the smarmy wiles of Mister Eve, a middle-aged travelling seed merchant whose own seed had mercifully not travelled, though he himself had, with unseemly haste upon discovery of his dastardly deception.

Now past her prime and fading fast it had begun to dawn on Polly Adam that the true love she longed for might never find its way out here to her cold haven in the bleak and empty fens. That perhaps her own Mister Darcy was not going to appear suddenly in the bar one evening and sweep her into his arms. That maybe it was time to start collecting cats.

Midnight. The last of the Greyhound’s regulars squelches disconsolately away into the inky mist. With a sigh, Miss Polly Adam locks up and climbs the twisting stair to her room. Afraid of what sleep might bring she sits weeping long into the night, shoulders softly shaking, salt tears falling, pat, pat, pat into her lonely lap.



Background note:

The Greyhound at Guyhirn now sadly no longer exists. Unlike poor Polly Adam, however, it was not fictional.
I stumbled upon it one foggy evening, lost on a forty mile detour after an accident blocked the only decent paved road across the flat, featureless fens: that endless dank pismire of squelchy peat bog and empty misery.
It beckoned in much the same ominous manner as a bat-bestrewn castle might in a Transylvanian thunderstorm, but at least it promised something different than the usual greasy-spoon roadside cafés and it has exerted a perverse fascination on me for years afterward. I was genuinely sorry to see it closed down.

The description in the story is pretty much spot on. I ordered a coffee and a sandwich and quickly regretted it, settling later for a flat, stale beer and a packet of soggy, out-of-date crisps. I left as precipitately as Mister Eve, though not - I am glad to say - for the same reason.

These days, the only remaining rest facility on that long, lonely levée stretching despairingly across the unending bleak waste is a tacky filling-station "Caff" dispensing chalky burgers to bored lorry-drivers. I stopped in once for coffee and petrol (not an exotic local cocktail … the coffee was to drink; the petrol for the car), returning from a conference with my old boss, Terry, who had refused to believe my tales of Guyhirn being the kind of place that would scare the crap out of the banjo playing backwoods freaks of 'Deliverance.' We were served by a girl of around fourteen with one eye and not many more teeth (every word of this is true), who took a fancy to Terry and kept leaning on him and giggling, offering up her gap-toothed grin to tempt him away from the outside world and into the nightmare haunt of fenland folk.
Needless to say we got the hell out of Dodge.


Guyhirn is now by-passed by an almost decent road so nobody from the real world need visit any more, leaving its denizens to live out undisturbed their lost and lonely lives of furtive incest and pork porking and whatever the hell else they get up to there. It truly is a place of palpable aching despair; driving past you can feel it clawing at you with a terrible emptiness that chills the heart and leaves damp, smeary fingerprints lingering in your soul. My own theory is that Guyhirn exists as the result of a sharp corner of our own universe accidentally puncturing the lowest circle of Purgatory (the one next to Hell). The suffering souls have been leaking into our reality and populating that part of the fens for hundreds of years. They now haunt the place, wailing and weeping as they wait in the sodden, mist-shrouded peat-bogs for Judgement Day to come at last.

Thursday, 18 March 2010

Misrememberie

This week's sentence was taken from E.M. Forster's 'A Room With A View'.

It was:
'It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown.'

Misrememberie

It was a small room and very dark after the dazzling sunshine. The intense blues and greens of the square outside were replaced by smoky browns, massive dark-wood dressers leaving only squeeze-room around the big family table, spread with a dull orange plastic tablecloth. I saw why Ana's parents had chosen to greet me outside; there was no room in here for their ubiquitous and effusive Lusitanian hugs and kisses.
We sat. Rosalinda, painfully Portuguese; small, fat, black-shawled, grey-haired and very likely the image of her tall, slim, beautiful daughter twenty years hence. José, his English worse than my Portuguese, dashed into the kitchen, returning with a small parcel wrapped in newspaper.
Ana conspiratorial: 'Don't act grossed-out! It's pig's ear in jelly. Pãe makes it himself.'
The old man leaned forward, urging me with gestures to open the package and devour its contents. I decided to play along; the foolish foreigner falling for José’s favourite joke. After all, I like pork; what could be so bad?
With a display of reverence, I unwrapped the parcel. There on a bed of sodden grey newsprint, glistening in a coating of gelatinous ooze that looked suspiciously like semen but which I hoped was merely pork jelly, nestled what was unmistakably a whole pig's ear, mercifully sliced into bite-sized pieces. Anticipating José’s laughter I picked up a piece and put it in my mouth.
If it was a joke, he was playing it to the hilt. His expression was one of genuine concern as to the quality of his gross offering.
Not wishing to give offence, I felt compelled to eat the damned thing. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. In texture it was not unlike tough raw squid, if ever a squid harboured such a disgusting quantity of gristle, but I fought back a wave of nausea and chewed doggedly on, nodding and smiling in such a way as to hopefully satisfy my host's expectant expression as to the incomparable deliciousness of this most rare and delicate morsel.
Saved by the old man raising a glass, I eagerly joined him, the lubrication allowing me finally to force down the revolting gobbet.
I grinned widely and nodded my thanks, praying that my demonstration of enthusiasm would not produce a whole barrel of pork gristle from the kitchen.
I need not have worried. The ice broken, great bowls of avocado salad and piri-piri prawns materialised on the table, accompanied by José's home-grown pink olives, marinaded in orange and herbs and a small mountain of the fabulous local bread, chilled vinho verde and (with a cackle from José) a bottle of throat-stripping aguardente.
Lunch over, Rosalinda beamed at her daughter and dragged her into the kitchen. José slammed a carved box down on the table, opening it with great ceremony to reveal his personal, home-made set of dominoes: teak with inset brass dots.
He grinned. I had become part of the family.


This is a deliberate mis-remembering of two separate meals, one in Cascais and one in Sintra.
My first meeting with Ana’s parents (Mãe and Pãe: Rosalinda and José) involved José sacrificing one of his scrawny chickens, which he grilled on a workman’s brazier in the road outside. It was one of the best pieces of chicken I had ever tasted.
Even though I was vegetarian back then the Portuguese had no understanding of the concept (we’re talking late 1980s) and so chicken, pork and fish were on all the vegetarian menus and I didn’t want to abuse their hospitality.
The pig’s ear was part of a feast laid on by João and Carla. They presented us with Feijoada, which is a traditional festival dish including (heaped on a gigantic platter) black beans, bacon, smoked ribs, trotters, tail, various sausages made from the more adventurous parts of the pig, and of course the ears. It was fabulous apart from the ears, which were pretty much as I described them in the story.

I still have Pãe’s infamous dominoes, which he presented me as a gift. I soon figured out the reason he was unbeatable: the handmade teak dominoes are beautifully grained and all slightly irregular in shape and he had simply learned what each one looked like from the back so always picked the pieces he needed to win, the sly old fox.

Wednesday, 13 January 2010

Lines On The 75th Birthday Of Elvis Aaron Presley

This week’s sentence was taken from Garrison Keillor’s lovely ‘Radio Romance.’

The sentence was: ‘So what happened to Hoyt Buford?'

Lines On The 75th Birthday Of Elvis Aaron Presley

The dressing room was the size of a toilet cubicle but not so luxuriously appointed. It stank of stale sweat, stale beer, stale farts and boredom.
'So what happened to Hoyt Buford?'
We'd been reminiscing between sets.
'Hoyt Buford?' He'd thrown me for a second.
'You remember. He married that Chrissie girl.'
The penny dropped, 'Oh, shit: you mean Adrian!'
'Adrian?' He laughed beer out his nose and sputtered, 'Hoyt was an Adrian? You're fucking kidding.'
'No, it's true; I played with them for a while. He wanted to be this big country singer and figured Adrian Wilkins didn't give him enough "Yeehah" value. Jeez, that must be 25 years ago; I'd forgotten all about him. What the hell brought that up?'
'Reason I ask: I was digging through some crap in the attic today and came across one of their old tapes. Man, that Chrissie could sing.'
'Yeah, she had the voice. He should've stayed with her.'
'So what happened?'
'Jeez, we were getting some good gigs and then one day he just came screaming out of the closet and ran away to Canada with the bass player.'
His mouth gaped, dribbling beer down his chin.
'Lionel Whatsisface?’
I nodded and his eyes widened.
'Fuck! Chrissie must have been devastated.'
'For about five minutes, yeah.'
'Jee-zuz! Let me get my head round this. Lionel was the guy drove that crappy little three-wheeler van, right?'
'Yup, that was him. Stuffed it to bursting with Marshall stacks 'til the axle broke. Liked to call himself Slim.’
‘Hoyt and Slim. Holy crap. They really went to Canada?’
‘Yeah, clean across the Atlantic, way out to some bumfuck town on the prairie where they could play country music to real cowboys, and where the Mountie always gets his man. By all accounts they did okay. Last I heard they were opening for The Reclines, lucky bastards.’
‘Shit, I love kd.’
‘Yeah, me too. Hoyt got lucky. S’pose that’s what happens when you take that shot and follow your dream. Perhaps I should have gone with them.’
‘What,’ he laughed, ‘And leave all this behind?’
I chuckled and took another swig.
‘Ah, the glamour and the glitz.’ I waved my beer bottle to encompass the filthy glory of the dressing room. ‘Who the fuck would be a musician? Look where it’s got us: two desperate old farts in our fifties living out of a trailer, playing three sets a night for peanuts, backing an Elvis impersonator and a fire-eating stripper. Neither of us has got laid for years. What kind of a fucking life is that?'
‘We’ve had our moments.’
‘Yeah, but they were decades ago.’
We sighed and nodded.
'Jeez. Elvis would have been 75 this week.'
I checked my watch.
'We're due on stage. C'mon, let's make a racket for The King.'
He leaned across and clinked his beer bottle against mine.
'This one's for Hoyt.'
I nodded.
'Here's to you, old buddy, wherever the hell you are now.'
'Absent friends.'


Ah, the glamour and the glitz.

This week's story is not so much a story as a mélange of memories.
Adrian, Christine and Lionel are real people from way back in my past when I was in school and they lured me into their country band with the promise of filthy lucre (they'd heard me playing Frank Zappa covers and somewhat bizarrely felt I would make a good country picker … even more bizarrely they were right).

It was Adrian who insisted on being called 'Slim' as Adrian didn't give him enough "Yeehah" value, and that made me give him the 'Hoyt Buford' character as it would make a great name for a country singer.
He lived with Christine who really did have a killer voice.
Lionel really did run away to Canada (though not Adrian) but nothing was ever heard from him again. Perhaps he got lucky, perhaps not. He really did drive a crappy little three-wheeler van which he stuffed full of Marshall stacks until the back axle broke on the way home from a gig one icy night.
Christine and 'Slim' didn't last.
Christine was not devastated, not even for five minutes.
I got out quick, despite the huge money in country music around here. Country fans are truly scary people.
I'd forgotten all about them until I was digging through some crap in the attic and came across an old tape of theirs. Man, that Chrissie could sing.
In my time I have also backed an Elvis impersonator (a rather good one) and a fire-eating stripper (a rather bad one).
Life? What the fuck's that all about?